Region by region breakdown
See which areas drive the total. Eyes, brows, nose, mouth and jaw are reported separately, because correspondence is rarely uniform across a face.
Mirror your facial landmarks about a computed midline and score how closely the left and right halves correspond.
468
Landmarks mapped
0
Data collected
Free
Always, no account
Any
Device or browser
3 simple steps
What happens from the moment you start, in order.
Roll is estimated from the line joining your outer eye corners and the whole landmark mesh derotates. Images carrying more than a few degrees of yaw are rejected rather than corrected.
Rather than assuming the nose tip sits on center, the axis is fitted by least squares, minimizing total squared distance between every landmark and the mirror image of its bilateral partner.
Each left landmark reflects across that axis and its distance to the right counterpart divides by interpupillary distance. The mean of those scaled deviations becomes your 0 to 100 figure.
What you get
Every reading comes with the measurement behind it.
See which areas drive the total. Eyes, brows, nose, mouth and jaw are reported separately, because correspondence is rarely uniform across a face.
Deviations are scaled against interpupillary distance, so image size and camera distance do not move the result. The same photo always returns the same figure.
Google MediaPipe computes the 468-point mesh inside your browser. Your photo is never uploaded, never stored, and never leaves the device in your hand.
Every result states plainly that mild asymmetry is universal and that a higher figure is not a better face. No ranking, no grade, no judgment.
A face symmetry test measures bilateral correspondence: it reflects each paired landmark across a fitted midline and reports how far the reflection lands from its partner. The output is a percentage answering one question only. Reflect your face about its own axis, and how closely does the copy sit on the original?
Start with the honest headline. Mild asymmetry is the human default, and perfect symmetry is neither normal nor a target. The two halves of a skull develop from separate ossification centers, dental occlusion differs across the arch, and habitual chewing, sleeping and expression reinforce small differences across a lifetime. Scores between 92 and 96 percent cover the ordinary range, corresponding to a mean normalized landmark deviation of roughly 0.010 to 0.025. Faces edited to perfect correspondence are widely judged to look uncanny rather than improved.
Research supports that framing. Work through the 1990s and 2000s, Rhodes on symmetry among it, examined whether fluctuating asymmetry tracked perceived attractiveness. The correlations were real but modest, and they were statistical patterns across large samples rather than statements about any individual.
Google MediaPipe Face Mesh supplies the 468-landmark topology the calculation runs on, inside your browser. No image is uploaded, received or stored.
Below: the four stages of the calculation, the score bands and what each means, why the regional breakdown beats the headline number, the capture conditions that corrupt a reading, and the questions this measurement cannot answer.
Stages run in a fixed order, and each one has a job that the next depends on.
Correct head pose first. Raw coordinates are useless until tilt comes out, because a rotated head reads as lopsided even when it isn't. Roll is estimated from the line joining the outer eye corners, and the whole mesh derotates until that line lies flat. Yaw gets estimated from the ratio of left and right facial widths. Past a small threshold the image is rejected rather than corrected, since rotation about the vertical axis destroys information that cannot be recovered.
Fit the midline second. The facial axis is not the vertical line through the nose tip, which is itself often deviated. It is fitted by least squares as the axis minimizing total squared distance between every landmark and the mirror image of its partner. The fit runs over the full set of bilateral pairs: outer and inner eye corners, alar rims, mouth commissures, gonial angles, brow peaks and temple points.
Measure paired deviation third. Each left landmark reflects across the fitted axis, and the Euclidean distance to its right counterpart becomes that pair's raw deviation in pixels.
Normalize and score last. Pixel figures mean nothing alone, since a larger photograph produces larger numbers. Every deviation divides by interpupillary distance, the standard scale reference for facial metrics. The mean across all pairs then maps onto a 0 to 100 curve, where zero deviation gives 100. The same photograph processed twice returns the same figure, and that figure falls into one of four bands.
| Band | Mean normalized deviation | Reading |
|---|---|---|
| 97 to 100 | Under 0.010 | Unusually close correspondence, rare and often photo-assisted |
| 92 to 96 | 0.010 to 0.025 | The ordinary human range, where most measured faces sit |
| 85 to 91 | 0.025 to 0.045 | Visible difference, commonly in the jaw or eye height |
| Below 85 | Above 0.045 | Marked difference, or more likely a pose or lighting problem |
Bands describe populations, not people. A number is a geometric fact about one photograph, in the same category as a shoe size, and the band carries no ranking with it. The rows underneath the total say more.
Regions rarely agree with each other. Eyes commonly pair closely while the jaw does not, or the mouth turns out to be the only area contributing meaningful deviation. Knowing which area drives the aggregate tells you something the aggregate hides.
Most people also score higher across the upper face than the lower. The orbital region develops under the constraint of the eye and tends to pair tightly, while the mandible varies more and responds to habitual use. Both readings collapse, though, if the photograph itself is crooked.
Photography corrupts this measurement more easily than any other on the site, because the algorithm cannot separate a genuinely uneven face from an even one shot badly.
Even a perfectly captured photograph leaves several questions permanently out of reach.
It cannot tell you whether you're attractive. Perceived attractiveness draws on skin quality, expression, proportion, coloring and dozens of other signals, and the measured contribution of correspondence within that mix is small.
It cannot separate structural difference from postural or photographic difference. A face reading 88 might carry a genuinely different jaw on each side, or might have been shot with a two-degree turn. Three photographs compared against each other is the practical test. Tight clustering points to structure.
It cannot detect anything medical. Facial unevenness is ordinary variation in almost every case, and this page has no capacity to tell ordinary variation from anything else. A sudden change, particularly one appearing over hours or days or arriving with weakness, needs immediate medical attention rather than a web tool.
And it cannot tell you to be more even. Correspondence is a property faces hold in degrees, the way hands hold varying finger lengths. The measurement is interesting. The idea that a higher number means a better face has no support in the geometry, and this tool does not make it.
Correspondence, not quality. The test derotates the mesh, fits an axis by least squares, reflects every bilateral pair and scales the result against interpupillary distance, then places the mean on a 0 to 100 curve. The bands describe populations rather than people, the regional rows carry more information than the total, and yaw, pitch, directional light, expression and hair are the five things most likely to corrupt a reading. Mild asymmetry stays the human default throughout, and no score here says anything about health, worth or beauty. Run the face symmetry test three times and read the regions.
Questions
The questions people ask most often about this tool.
A face symmetry score measures bilateral correspondence. Each paired landmark is reflected across a fitted midline and the distance to its partner is scaled against interpupillary distance, then averaged and mapped onto a 0 to 100 curve. It answers one question: reflect a face about its own axis, and how closely does the copy land on the original.
Four. Above 97 means unusually close correspondence, which is rare and often photo-assisted. The 92 to 96 band covers the ordinary human range where most measured faces sit. The 85 to 91 band shows visible difference, commonly in the jaw or eye height. Below 85 points either to marked difference or, more often, to a pose or lighting problem.
No, essentially no one. The two halves of a skull develop from separate ossification centers, dental occlusion differs across the arch, and habitual chewing, sleeping position and expression reinforce small differences across a lifetime. Measurable asymmetry turns up in virtually every face ever studied, which is why perfect correspondence is neither normal nor something to aim for.
No. The landmark mesh is built by Google MediaPipe running entirely within your browser tab, so the image is processed on your own hardware and never transmitted. We do not upload it, save it, or keep any copy. Closing or refreshing the page clears it from memory and leaves nothing behind.
Skin quality carries more weight. Research since the 1990s has found modest correlations between symmetry and perceived attractiveness, but those were statistical patterns across large samples rather than rules about individuals. Skin, expression, proportion and coloring each contribute more to how a face reads. Treat your figure as geometry, in the same category as your height.
Pose explains most of it. Yaw is the biggest problem, since turning your head five degrees shortens one half in projection and can cost several points. Directional light, an uneven parting and a slight half-smile each add apparent difference too. Take three photos square to the lens under even frontal light and compare the results.
Keep exploring
Compare your facial proportions against phi, roughly 1.618, across seven classical ratios and read the full per-ratio breakdown.
Try it freeMeasure forehead, cheekbone and jaw width against face length to name which of the seven face shapes your outline matches.
Try it freeA for-fun geometric score showing how closely your facial proportions sit to statistical averages and classical canons.
Try it freeMost styling decisions follow from the shape of your face. Run the detector, then work outward from the result.